Trentemøller and Marie Fisker | Sycamore Feeling

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Recently the, Copenhagen based, Danish electronic musician Anders Trentemøller released his latest album titled “Into the Great Wide Yonder”. The Warmenhoven & Venderbos designers like the lead track and its video from this album a lot. For the albums lead single “Sycamore Feeling”, Trentemøller teamed up with Danish singer Marie Fisker. The result is a sophisticated, edgy-chic, fashionable and melancholic down tempo song with haunting vocals by Marie Fisker.

The very inspiring and beautiful music video for “Sycamore Feeling” was written and directed by video artist Jesper Just. It was shot in the abandoned town of Centralia in Pennsylvania USA. The reason Centralia was abandoned is because of a fire in the coal layers and the mines beneath the town, a fire which broke out in 1962 and which is still burning nowadays. The female lead is performed by both, Diana Wagner and a well known New Yorker drag performer, Princess Diandra. Due to the fragmented structure of the video both actors become basically one identity.

 

 

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Warmenhoven & Venderbos designers fashion blog | Trentemøller and Marie Fisker | Sycamore Feeling

 

Music: Anders Trentemøller and Marie Fisker  | Video: Written and directed by Jesper Just

On Kawara Reading One Million Years

On Kawara, a Japanese conceptual artist living in New York City, made since 1966 a long series of “date paintings” (the Today series), which consist entirely of the date on which the painting was executed in white lettering set against a solid background. Other series of works include the “I Went and I Met” series of postcards sent to his friends detailing aspects of his life. A second series of postcards, I Got Up At, rubber-stamped with the time he got up that morning, and a series of telegrams sent to various people bearing the message “I am still alive”.

In 1971 he started with his work called ‘A Million Years’. This ten volume piece was produced concurrently with a series which would later be seen as his defining work. ‘A Million Years’ was, just as its title states, a series of numbers counting back the last million years from 1969. It was later  accompanied by ‘One Million Years (future)’ which counts forwards from 1980. In 1993 Kawara transformed One Million Years (Future) from a written to recorded state. The impetus for this metamorphosis was an exhibition for Dia Center for the Arts that ran from January 1, 1993, to December 31 of the same year. The below video made by New York art tours gives an impression of ‘One Million Years”

The exhibition was comprised of three parts, a selection of one thousand Today paintings, the ten volumes of One Million Years (Past) and the recording of One million Years (Future), in which a male and female voice continuously, year after year, count into the future. A segment of this recording was transformed into a CD. With the exhibition the viewer plays a more passive role, entering into the space where the recording plays continuously, whereas with the CD the amount of time is limited, 74 minutes, and contains a set number of years (1994 AD to 2613 AD), thus transforming the infinite time of the exhibition into the finite time of the CD. With the CD the viewer is able to manipulate the duration and chronology of the CD, thus entering into a far more active relation to the work. You can listen to a part of the work in the below Ubuweb podcast.

 

 

Photos: On Kawara | David Zwirner Gallery | Sources: Ubuweb, Wikipedia | Video: New York Art Tours Youtube channel