WARMENHOVEN & VENDERBOS Blog » Video

Alex Roman | The Third & The Seventh

W&V — Fri, 30 Jul 2010 09:39:01 +0000

The Third & The Seventh is a fascinating short film by Alex Roman. In this movie he tries to illustrate architecture art across a photographic point of view. The main subjects in this film are already-built spaces. Sometimes they are portrayed in an abstract way and sometimes in surreal manner. We suggest that you switch the video to full screen view to fully enjoy this short film Gem.

Photos and Video by Alex Roman | Music by Alex Roman based on the original scores by Michael Laurence Edward Nyman and Charles-Camille Saint-Saëns

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Mizu Hanabi | fireworks of water drops

W&V — Wed, 14 Jul 2010 08:13:48 +0000

Mizu Hanabi is the title of a stunning video by Japanese artist Tetsuka Niiyama. for this work he was inspired by and idea of “What would it be like if a water drop explodes like fireworks?”. The result: Water drops in a microgravity space bursts sequentially,imitating the Japanese seasonal tradition, fireworks.

Video directed and animated by Tetsuka Niiyama | Sound Design by Yoshio Matsumoto | Production by Taiyo Kikaku. co. ltd.

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Daniel Rozin | The wooden mirror

W&V — Wed, 16 Jun 2010 08:35:37 +0000

Interactive artist Daniel Rozin creates fascinating mirrors with unreflective surfaces. The below video shows one of his creations, “the wooden mirror”. This mirror uses 830 square pieces of wood which are hooked up to an equal number of small motors which move the wooden blocks according to a built in camera. The camera picks up the movement in front of the mirror and transfers the signal to the wood tiles which results in an eerie representation of reality depicted in small wooden pixels.

Photos: Daniel Rozin | Video: The Open University | Youtube

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Trentemøller and Marie Fisker | Sycamore Feeling

W&V — Sat, 05 Jun 2010 12:29:08 +0000

Recently the, Copenhagen based, Danish electronic musician Anders Trentemøller released his latest album titled “Into the Great Wide Yonder”. The Warmenhoven & Venderbos designers like the lead track and its video from this album a lot. For the albums lead single “Sycamore Feeling”, Trentemøller teamed up with Danish singer Marie Fisker. The result is a sophisticated, edgy-chic, fashionable and melancholic down tempo song with haunting vocals by Marie Fisker.

The very inspiring and beautiful music video for “Sycamore Feeling” was written and directed by video artist Jesper Just. It was shot in the abandoned town of Centralia in Pennsylvania USA. The reason Centralia was abandoned is because of a fire in the coal layers and the mines beneath the town, a fire which broke out in 1962 and which is still burning nowadays. The female lead is performed by both, Diana Wagner and a well known New Yorker drag performer, Princess Diandra. Due to the fragmented structure of the video both actors become basically one identity.

Music: Anders Trentemøller and Marie Fisker | Video: Written and directed by Jesper Just

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Kinetic Sculpture, metaphorical translation of the process of form-finding

W&V — Mon, 24 May 2010 11:09:12 +0000

The Kinetic Sculpture by Art+Com is a fascinating metaphorical translation of the process of form-finding in art and design. The interplay of mechanical and electronic components creates a dynamic art piece reflecting the precise exchange between a great number of individual elements and the single, coherent picture that emerges from them.714 metal spheres, hanging from thin steel wires attached to individually-controlled stepper motors and covering the area of six square meters, animate a seven minute long mechatronic narrative. In the beginning, moving chaotically, then evolving to several competing forms that eventually resolve to the finished object, the Kinetic Sculpture creates an artistic visualisation of the process of form-finding in different variations.

The installation is on display in the BMW museum, Munich, Germany.

Video and Photos: Art+Com | BMW Museum, Munich

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Hannelore Knuts, UltraMegaLore Fashion Icon Testimony

W&V — Mon, 17 May 2010 09:18:14 +0000

This post contains some snapshots which give an impression of the vernissage party and of the currently running fashion exposition, called Ultramegalore, curated by Belgian model Hannelore Knuts.

Director Kenneth Ramaekers of Het Modemuseum Hasselt (The Fashion Museum Hasselt) has asked Hannelore to assemble an exhibition that gives the visitors a glimpse into her universe that reaches further than just fashion. She turned it into a crystallisation of what motivated and inspired her during her 10 year career as a top model. Hannelore has made a compilation of her favourite designers, photographers, artists and musicians. People she has met along the way, that have inspired her or at least have left an indelible impression on her. Regardless of whether they are ‘in’ or not. She wants to share these impressions the way she collected them. A cluster of encounters, a mass of impacts.She approached her role as curator like a stylist who endlessly combines different brands, second-hand clothes and personal accessories. The exhibition is not a tribute to or a retrospective of ’the model’ Hannelore. Instead it is a confrontational look into her small world, motivated by great things, and vice versa. With her view and approach Hannelore has turned this exposition into a very inspiring fashion experience.

The exposition in Het Modemuseum Hasselt (The Fashion Museum Hasselt) will run until the 6Th June 2010.

WARMENHOVEN & VENDERBOS | Video: frank Bongers: Christopher Baker | PlayoutPlaygrounds Youtube Channel | Het Modemuseum Hasselt

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Christopher Baker: Hello World!

W&V — Wed, 12 May 2010 12:09:59 +0000

Hello World! or: How I Learned to Stop Listening and Love the Noise is an immersive, large-scale audio visual installation comprised of thousands of unique video diaries gathered from the Internet. The project is a meditation on the contemporary plight of democratic, participative media and the fundamental human desire to be heard.

Christopher Baker engages with his work often the rich collection of social, technological and ideological networks present in the urban landscape. Read also more about him and his creations in an earlier article posted on the Warmenhoven & Venderbos blog here.

On one hand, new media technologies like YouTube have enabled new speakers at an alarming rate. On the other hand, no new technologies have emerged that allow us to listen to all of these new public speakers. Each video consists of a single lone individual speaking candidly to a (potentially massive) imagined audience from a private space such as a bedroom, kitchen, or dorm room. The multi-channel sound composition glides between individuals and the group, allowing viewers to listen in on unique speakers or become immersed in the cacophony. Viewers are encouraged to dwell in the space.

Recently the Hello World audio visual installation was also used as backdrop for an interesting special on Swiss Television (Schweizer Fernsehen) called: special Kulturplatz Extra report. This TV special focused on the theme: “Living with the computer: blessing or curse?” The reports range from the hippie roots of personal computing in silicon valley, to robot therapy for the elderly.

Photos,video and source: Christopher Baker | Vimeo | Kulturplatz Extra

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Pipilotti Rist: A la belle étoile

W&V — Wed, 21 Apr 2010 12:54:32 +0000

“A la belle étoile” is a huge and impressive audio/visual projection installation by Swiss conceptual artist Pipilotti Rist. In contrast to many other conceptual artists, her colourful and musical works transmit a sense of happiness and simplicity.

“A la belle étoile” was screened in 2007 on the slight slope of the Piazza in front of the Centre Pompidou in Paris. Currently it is part of the exhibition titled: elles@centrepompidou, in which the selection of the “the Centre Pompidou’s collections is focused on female artists from the 20Th century to the present day.” The exhibition will run until February 2011.

The below video gives an impression of Pipilotti Rist’s “A la belle etoile”.

Pipilotti Rist | Photos: Georges Meguerditchian | Video: reel aesthete Vimeo channel | Centre Georges Pompidou, Paris

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Juergen Teller Go-Sees interview

W&V — Tue, 30 Mar 2010 00:03:33 +0000

An already older but still interesting video interview with photographer Juergen Teller for TateShots, the Youtube channel of the Tate Modern Art gallery.
Juergen Teller turned his lens on the fashion industry with his Go-Sees series. Weary of the hype generated by model agencies desperate to sell him the ‘next big thing’, he decided to take the picture of every girl that came to see him on the doorstep of his studio. In this interview, Teller tells Tateshots how the resulting photographs expose the troubling power of the male photographer.

Photos: Juergen Teller | Source and video: the Youtube channel of the Tate Modern Art gallery | TateShots

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On Kawara Reading One Million Years

W&V — Mon, 22 Mar 2010 11:01:55 +0000

On Kawara, a Japanese conceptual artist living in New York City, made since 1966 a long series of “date paintings” (the Today series), which consist entirely of the date on which the painting was executed in white lettering set against a solid background. Other series of works include the “I Went and I Met” series of postcards sent to his friends detailing aspects of his life. A second series of postcards, I Got Up At, rubber-stamped with the time he got up that morning, and a series of telegrams sent to various people bearing the message “I am still alive”.

In 1971 he started with his work called ‘A Million Years’. This ten volume piece was produced concurrently with a series which would later be seen as his defining work. ‘A Million Years’ was, just as its title states, a series of numbers counting back the last million years from 1969. It was later accompanied by ‘One Million Years (future)’ which counts forwards from 1980. In 1993 Kawara transformed One Million Years (Future) from a written to recorded state. The impetus for this metamorphosis was an exhibition for Dia Center for the Arts that ran from January 1, 1993, to December 31 of the same year. The below video made by New York art tours gives an impression of ‘One Million Years”

The exhibition was comprised of three parts, a selection of one thousand Today paintings, the ten volumes of One Million Years (Past) and the recording of One million Years (Future), in which a male and female voice continuously, year after year, count into the future. A segment of this recording was transformed into a CD. With the exhibition the viewer plays a more passive role, entering into the space where the recording plays continuously, whereas with the CD the amount of time is limited, 74 minutes, and contains a set number of years (1994 AD to 2613 AD), thus transforming the infinite time of the exhibition into the finite time of the CD. With the CD the viewer is able to manipulate the duration and chronology of the CD, thus entering into a far more active relation to the work. You can listen to a part of the work in the below Ubuweb podcast.

Photos: On Kawara | David Zwirner Gallery | Sources: Ubuweb, Wikipedia | Video: New York Art Tours Youtube channel

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