This post contains some snapshots which give an impression of the vernissage party and of the currently running fashion exposition, called Ultramegalore, curated by Belgian model Hannelore Knuts.

Director Kenneth Ramaekers of Het Modemuseum Hasselt (The Fashion Museum Hasselt) has asked Hannelore to assemble an exhibition that gives the visitors a glimpse into her universe that reaches further than just fashion. She turned it into a crystallisation of what motivated and inspired her during her 10 year career as a top model. Hannelore has made a compilation of her favourite designers, photographers, artists and musicians. People she has met along the way, that have inspired her or at least have left an indelible impression on her. Regardless of whether they are ‘in’ or not. She wants to share these impressions the way she collected them. A cluster of encounters, a mass of impacts.She approached her role as curator like a stylist who endlessly combines different brands, second-hand clothes and personal accessories. The exhibition is not a tribute to or a retrospective of ’the model’ Hannelore. Instead it is a confrontational look into her small world, motivated by great things, and vice versa. With her view and approach Hannelore has turned this exposition into a very inspiring fashion experience.

The exposition in Het Modemuseum Hasselt (The Fashion Museum Hasselt) will run until the 6Th June 2010.

WARMENHOVEN & VENDERBOS | Video: frank Bongers: Christopher Baker | PlayoutPlaygrounds Youtube Channel | Het Modemuseum Hasselt

Jeff Koons was born in York, PA in 1955. He obtained a B.F.A at The Maryland Institute, College of Art, Baltimore, and also studied at the Art Institute of Chicago. Since his emergence in the 1980s Jeff Koons has blended the concerns and methods of Pop, Conceptual, and appropriation art with craft-making and popular culture to create his own unique iconography, often controversial and always engaging. His work explores contemporary obsessions with sex and desire; race and gender; and celebrity, media, commerce, and fame. A self-proclaimed “idea man,” Koons hires artisans and technicians to make the actual works. For him, the hand of the artist is not the important issue: “Art is really just communication of something and the more archetypal it is, the more communicative it is.”

New paintings by Jeff Koons will be shown in the Gagosian Gallery, Beverly Hills, U.s.a. The vernissage of this exhibition will be on November the 14th 2009 and the exhibition will run until January 9 ,2010.

Koons’ new paintings are ambitious in their breadth. They engage in a dialogue with cultural history that is at once visual, intellectual, biological, and philosophical, as well as with art history, from the Venus of Willendorf to Gustave Courbet and Salvador Dali. At first glance the works may seem abstract and gestural, but at the same time they are embedded in the traditions of figurative painting. The brush strokes, which are photo realistic in their application, are actually fake brush strokes in the style of Roy Lichtenstein but at the same time they support the totality of gesture and action in life itself. The visual quality of Cy Twombly’swork is a reference as is its embodiment of the existential issues of what it means to be an artist. The depth in these paintings is figurative depth; the painted dots create holograms, giving an illusion of depth of field that is similar to that which exists between the viewer’s plane and the figure in Courbet’s L’Origine du Monde. The dot overlay represents past technologies, like color television, to remind the viewer of change and mortality. Through his ongoing exploration of cultural history and sexuality, Koons draws attention to time past, present, and future.

Photos Jeff Koons | Gagosian Gallery