Shinichi Maruyama Sculptural seconds: Water meets Ink

 

Shinichi Maruyama was born in 1968 in Nagano, Japan. Surrounded by beautiful mountains, in High School he became immersed in mountain climbing, and wanting to preserve the stunning landscapes began taking photographs. He started his professional career in Tokyo in 1993, 10 years later relocating his studio to New York City in search of more global opportunities.

As a young student, He often wrote Chinese characters in sumi ink. He loved the nervous, precarious feeling of sitting before an empty white page, the moment just before his brush touched the paper.

“Once your brush touches paper, you must finish the character, you have one chance. It can never be repeated or duplicated. You must commit your full attention and being to each stroke. Liquids, like ink, are elusive by nature. As sumi ink finds its own path through the paper grain, liquid finds its unique path as it moves through air.”

Remembering those childhood moments, of ink and empty page, he fashioned a large ‘brush’ and bucket of ink.

“I get the same feeling, a precarious nervous excitement, as I stand before the empty studio space. Each stroke is unique, ephemeral. I can never copy or recreate them. I know something fantastic is happening, “a decisive moment”, but I can’t fully understand the event until I look at these captured afterimages, these paintings in the sky.”

Twenty-five photographs and videos immortalize the choreographic moment in time where water meets ink and are the remembrance of the milliseconds where these sculptures exist.

 

Photos and video: Shinichi Maruyama | Youtube

The Art of Fashion: Installing Allusions

This autumn Museum Boijmans Van Beuningen will be exploring the boundaries of fashion. Today’s fashion designers are entering the area of fine art and in their turn influence the art world. The Art of Fashion reveals the sparks that fly at the interface between fashion and art. New and existing works by twenty-five international designers and artists provide a confrontational visual experience.

Fashion shows and advertising campaigns have had their day. Fashion designers present their work with installations, performances and sculptural designs. Like art, today’s fashion is collected by museums and private individuals. Conversely in recent years artists have been exploring the visual world of fashion. The fixed boundaries between fashion and art have become blurred. For the first time The Art of Fashion combines the two disciplines in a confrontational visual spectacle.

The Art of Fashion has been compiled by guest curators Jose Teunissen (lecturer at ArtEZ Arnhem) and Judith Clark (exhibition maker, London). The exhibition was made possible by the H+F Fashion on the Edge programme of author and art collector Han Nefkens, and by the Mondriaan Foundation and the Prins Bernhard Cultuurfonds.
The Dutch edition of ELLE is the media partner of this exhibition. The Art of Fashion exhibition is a major part of the official programme of Holland Art Cities 2009-2010 and will run until the 10Th of January 2010.

Photos: Hussein Chalayan | Museum Boijmans Van Beuningen

Hiroshi Sugimoto: Lightning Fields, conceptual landscapes.

Hiroshi Sugimoto, a conceptual artist, was born in Tokyo, Japan in 1948 and lives and works in New York and Tokyo. He started his work in 1976, the central idea of Sugimoto’s work is that photography is a time machine, a method of preserving and picturing memory and time. He uses his camera in a way to create images that seem to convey his subjects essence, whether architectural, sculptural, painterly, or of the natural world. Sugimoto is also deeply influenced by the writings and works of the conceptual artist Marcel Duchamp, as well as the Dadaist and Surrealist movements as a whole.

Lightning Fields is an exhibition of new photographs by Hiroshi Sugimoto on view at Fraenkel Gallery in San Francisco, U.s.a.  from September 10 to October 31, 2009.  Each image is a unique document of an electrical current. Hiroshi Sugimoto uses a 400,000-volt Van De Graaff generator to apply an electrical charge directly onto his film.

Photos by Hiroshi Sugimoto | Lightning Field: 199,128 and 144

The skin of(f)

From the WARMENHOVEN & VENDERBOS archives. 

The skin of(f) is a small installation in which a step by step example of the conceptual approach of  W&V is shown.

By means of adhesive tape a 3-dimensional mould of the upper body of Venderbos was created.  The mould was reduced to a 2-dimensional pattern through coupe and cut. This part provided the basic pattern for a garment, in this case a skirt.

The Skin of(f) installation was bought by the Historical museum located in The Schielandhuis, Rotterdam, The Netherlands.

Detail from the skin of(f) installation.

Overview snapshot from the skin of(f) installation.

From the WARMENHOVEN & VENDERBOS archives | The skin of(f) | More Warmenhoven & Venderbos projects |