Diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

The above video gives a snapshot impression from the vernissage of various new exhibitions at the Verbeke Foundations of modern avantgarde art.

One of the fascinating exhibitions is Certified Copy.
In a world where numerous multinationals multiply data banks destined to the patented reproduction of genetic information, the Verbeke Foundation organised an exhibition on the notions of copying and cloning. The exhibition unites the works of over twenty international contemporary artists, like for example: L.A. Raeven, Jonas Vansteenkiste and Janieta Eyre,  who are concerned in the question of the reproduction of living and lifeless materials.

From delftware from the museum of Leiden over the masterpieces of Hirst, Murakami or Cattelan, to fluorescent transgenic fishes, all presented works give us the possibility to draw a parallel between both contemporary artistic and scientific practices. The characters of the Coco Chanel logo on the exhibition poster also evoke daily counterfeited products, and the expressions of Certified Copy, Carbon Copy and Creative Commons. In fact, the exhibition adopts a critical viewpoint on the motivations for reproducing works and living organisms, and on the stipulations of this reproduction in our globalised society.

Further exhibitions which opened at the vernissage are a retrospective of the works created by Mark Verstockt, Trou de Ville and De Wolkenbreier(s).

Certified copy, Mark Verstockt and Trou de Ville will run until 10th of April 2011.
Wolkenbreier(s) will run untill the 30th of Januari 2011.

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

 Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

Warmenhoven & Venderbos | Snapshot video diary 061210 | Vernissage Verbeke Foundation november 2010

 

Video and photos by Warmenhoven & Venderbos | Verbeke Foundation website

Jan Fabre

Jan Fabre (1958 Antwerp, Belgium) is a Flemish theater director, choreographer and visual artist.

According to Jan Fabre his productions and performances come from a romantic desire to form a completely idiosyncratic worldview.
Fabre is among other famous for his Bic-art (ballpoint drawings).
Jan Fabre describes his own as a tribute “to the imagination of the liars”. All of his works constitute a kind of diary.

1992 – In the monologue “Forgery as it is, pure”, a female model dialogues in an image-rich and repetitive language with men’s images of herself. What is real? What is false?

The decay of one copy leads to the creation of an other, which again will rot with time. In this “soft beaten century’ the boundary between original and model is blurred. What comes first: the counterfeiting or the original?

Doubling is here focused on forgery. The contradiction between me and the other becomes a contrast between true and false, real and unreal, original and model, authenticity and simulation.

In 2002, commissioned by Queen Paola of Belgium he installs “Heaven of Delight” in the Royal Palace of Brussels, a reference to “The Garden of Lust” by Hieronymus Bosch.
The ceiling of the grand mirror room and a large chandelier were fully plastered with one and a half million green-blue glittering shields of scarabs.

Photos by Jan Fabre | ANP