Hannelore Knuts, UltraMegaLore Fashion Icon Testimony


This post contains some snapshots which give an impression of the vernissage party and of the currently running fashion exposition, called Ultramegalore, curated by Belgian model Hannelore Knuts.
Director Kenneth Ramaekers of Het Modemuseum Hasselt (The Fashion Museum Hasselt) has asked Hannelore to assemble an exhibition that gives the visitors a glimpse into her universe that reaches further than just fashion. She turned it into a crystallisation of what motivated and inspired her during her 10 year career as a top model. Hannelore has made a compilation of her favourite designers, photographers, artists and musicians. People she has met along the way, that have inspired her or at least have left an indelible impression on her. Regardless of whether they are ‘in’ or not. She wants to share these impressions the way she collected them. A cluster of encounters, a mass of impacts.She approached her role as curator like a stylist who endlessly combines different brands, second-hand clothes and personal accessories. The exhibition is not a tribute to or a retrospective of ’the model’ Hannelore. Instead it is a confrontational look into her small world, motivated by great things, and vice versa. With her view and approach Hannelore has turned this exposition into a very inspiring fashion experience.








The exposition in Het Modemuseum Hasselt (The Fashion Museum Hasselt) will run until the 6Th June 2010.
WARMENHOVEN & VENDERBOS | Video: frank Bongers: Christopher Baker | PlayoutPlaygrounds Youtube Channel | Het Modemuseum Hasselt
Herman and Nicole Daled collection: Less is more

Marcel Broodthaers, La robe de maria, mixed media on canvas
120 x 100 x 12 cm
Daled collection

Lawrence Weiner, a bit of matter and a little bit more
language + the materials referred to
original cardboard stencil, 43,5 x 57,5 cm
Daled collection
Belgian collector couple Herman and Nicole Daled refuse to perceive art as decoration. They are considering the concept behind a piece of art more important than its realization and approach art in a fundamentally different way: basis for their activities are their relationships and conversations with artists. in keeping with the aim of conceptual art that places the intellectual content of a work above its realisation, they consider themselves not collectors but communicators and producers: they provide artists with the opportunity to also realise works outside of established market mechanisms. their intense engagement with conceptual art, one of the most important movements in recent art history, goes far beyond usual collecting practices. this is not only apparent in the actual works, but also in the meticulously archived documents containing actions and works.

James Lee Byars, Robe pour cinq personnes
Textile fabrics
dimensions variable
Daled collection
One of the most important influences for Herman and Nicole Daled was Marcel Broodthaers; more than 80 of his works are in their collection. moreover, the collection holds several works by Daniel Buren, Dan Graham, On Kawara, Sol Lewitt, Niele Toroni, Lawrence Weiner, Cy Twombly and many more.
Less is more is a very inspiring exhibition from the amazing personal conceptual art collection and archives of Herman and Nicole Daled. It will feature pictures, objects, paintings and concepts.The exhibition concentrates on the period between 1966 and 1978, thereby providing a lively portrait of the progressive, international art scene at that time. It will run until the 25Th of July 2010 at the Haus der Kunst, Munich, Germany.

On Kawara, Today Series: Oct. 31, 1971.
Oil on Canvas, 20,5 x 25,5 cm.
Daled Collection

On Kawara, I got up
Series of 108 postcards sent to Herman Daled daily between may 18 and september 3
14 x 9 cm
Daled collection

Niele Toroni, Empreintes de pinceau N° 50 répétées à intervalles réguliers de 30 cm
Paint on canvas, 100 x 100 cm.
Daled Collection

Daniel Buren, untitled
12 paintings (acrylic on cloth)
installation view Haus der Kunst
Daled Collection
Photos: Herman and Nicole Daled collection | VG Bild-Kunst | Tenfinger | Photo bottom: Wilfried Petzi | Video: Jacques Charlier Youtube | Source: Haus der Kunst, München
Black. Masters of Black in Fashion & Costume


BLACK. Masters of Black in Fashion & Costume
ZWART. Meesterlijk Zwart in Mode & Kostuum
The current exhibition in the MoMu (Mode Museum Antwerpen) illustrates the historic phases of the colour black, with examples from painting, historic costume and contemporary fashion. It also looks more deeply into the textures and the potentials of black in diverse materials, including fur, leather and lace. In addition, the exhibition includes masterpieces by contemporary designers who, like the city of Antwerp, have a special connection to black.
The exhibition features silhouettes by Belgian designers as well as international couture houses like for example Ann Demeulemeester, Olivier Theyskens and Dirk Van Saene.
The exhibition BLACK. Masters of Black in Fashion & Costume runs from the 25Th of March till the 8Th of August 2010 in MoMu, Antwerp, belgium.


Photos: MoMu Antwerp, Marjolein Steensma | Mode Museum Antwerpen | Modeblog.nl
Ana Torfs exhibition Album Tracks A


The work of the Belgian visual artist Ana Torfs consists of various installations with slide projections, photo series, a web project, a feature film and several publications. Torfs has dealt, among others, with questions such as perception, representation and the construction of images and identity. She has also focused on the tension between text and image, between reading and visualising and – in a larger sense – between the fabricated and the real. Above all her work creates a strong visual experience.
With five large-format slide projections, several photo series, and a song project for the Internet, Kunstsammlung Nordrhein- Westfalen K21 presents the first museum-based overview of the work of Ana Torfs. Representation and visualisation, reality and fiction form the cornerstones of Ana Torfs’ installations which consist of projected images (usually black and white slides) and texts. In precisely choreographed audiovisual constellations Torfs brings to life literary, historical and political material.
In these projects the artist works with actors who embody their roles in a demonstratively matter-of-fact and functional way. Documents on Joan d’Arc, a famous one act play by the symbolist poet Maurice Maeterlinck but also testimonies from Rosa Luxemburg and Karl Liebknecht’s murder trial serve as starting points for room-filling installations such as “Du mentir-faux” (About Lying Falsehood), 2000, “The Intruder”, 2004, or “Anatomy”, 2006. Ana Torfs has been practising and developing her method of subtly dissecting and superimposing places, people, voices and atmospheres for over fifteen years. In doing so, she draws from the repertoire of dramatic, photographic and cinematic techniques.
Apart from a selection of earlier works, the recently completed slide installation “Displacement” (2009) will be shown for the first time at K21.
In the below video by Ralph Goertz from the Institut für Kunstdokumentation und Szenografie, Torfs introduces the work on her exhibition at K21.


The Exhibition called Album/Tracks A at the K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf will run until the 18Th of July, 2010.
Photos Ana Torfs | K21 Kunstsammlung Nordrhein-Westfalen | Video by Ralph Goertz, Institut für Kunstdokumentation und Szenografie
Frederic Geurts architectural, monumental, dialogue and balance


The work of the Belgian artist Frederic Geurts consists of monumental, but very fragile architectural structures, in which the artist goes to the extreme in exploring the boundaries of the force of gravity and the materiality of the structures.
Frederic Geurts: “I cannot act in a vacuum. I need context. I would like to play and interact with the environment. Both the spatial architectural aspects as well as the meaning of a place are important. In that sense, I am more a designer. Like for example an architect who starts creating after he has received a package of demands given by his client. I create such a demands program for myself.”



In the below, Dutch spoken, video Frederic Geurts gives a few days before the opening of his most recent exhibition called (un)balanced a tour to Jan Boelen the artistic director of the Z33 art centre.
Photos: Frederic Geurts (un)balanced | Video: Kunsten centrum Z33 | Vimeo









