








WARMENHOVEN & VENDERBOS | Diary photo (snapshots) entry 030212



Belgian artist Willy de Sauter creates fascinating work in the artistic tradition to which abstract art is the carrier and tool to represent the essence of reality. His artistic vocabulary can be characterized as a thorough abstraction of shapes and structures which are found back in nature, culture and architecture. He closely observes and analyses architecture or selected photographs and uses the results of these studies as a starting point to translate and transposition the existing form or structure into an abstract representation. In Willy de Sauter his oeuvre, places are reduced to non-places and associations with philosophy, visual art and architecture are fused into one general and open focus on culture.
At this moment Willy de Sauter has a solo exhibition at Phoebus gallery in Rotterdam , the Netherlands. The show will run until march 4, 2012.



Photos by: Willy de Sauter | Willy de Sauter website | Photo bottom: Isabelle Pateer | Phoebus Rotterdam



Recently filmmaker John McKay revisited David Bailey’s legendary 1962 trip to New York in the BBC film We’ll take Manhattan. During this trip Bailey had to shoot the photo’s for an editorial which was published in the April 1962 edition of British Vogue. He agreed to do the shoot only if the, at that time still unknown, Jean Shrimpton was his model. Bailey and Shrimpton where instructed to shoot mid-priced British fashions against the elegant landmarks and modern architectonic cityscape of Upper Manhattan. Instead of doing this David Bailey and his model Jean Shrimpton travelled with no hair or makeup artist and just his camera and an old teddy bear as prop through the more unpolished side of Manhattan. The shots he made melted raw and realistic street photography with fashion and high art and resulted in a legendary iconic series which captured the new liberated spirit of the decade.The photo’s of this shoot are later published in David Bailey: NYJSDB62 (Steidl, 2007). The film by John McKay explores the hedonistic love affair between the iconic photographer and the Sixties supermodel during this British Vogue fashion shoot.
Read more about David Bailey in this W&V blog post.



Photos by: David Bailey | David Bailey website | Photo 2 and 6 by: BBC | John McKay website

Quote about art from Greek philosopher Aristotle which can especially be considered as an early statement about conceptual art and design as it addresses directly the core principle of a conceptual design approach and the resulting physical product and its inner value, meaning and significance.
The Greek philosopher and polymath Aristotle was a student of Plato and teacher of Alexander the Great. His writings cover many subjects, including physics, metaphysics, poetry, theater, music, logic, rhetoric, linguistics, politics, government, ethics, biology, and zoölogy. Together with Plato and Plato’s teacher Socrates, Aristotle is one of the most important founding figures in Western philosophy.



The work of Tobias his recent exhibition at the Museum Dhondt-Dhaenens in Belgium has now moved on and is on show at the Pilar Corrias Gallery in London. The show carries the title: Sex and Friends
Tobias his conceptual art installation set up at Pilar Corrias Gallery explores again the conflict between functionalism and aesthetics and again questions and plays with the notion of art and its various strategies. The main key element of this specific installation is transformation. This key element is not only linked to the change of the space itself but also to the transformation during a specific time frame and especially the transformation of the viewer, his/her behaviour and thoughts.
The series of sculptures in this installation seem abstract and find their “ghost-image” counterpart in the amorphous shadows they project on the walls. The art works transmit words and patterns onto the surfaces around them. The sculptures and their shadows are dynamic in a reversed way. They encourage the viewer to move and look at them from various perspectives. By doing that they shift and transform themselves. During brief moments of the day the shadows come together and form a “hidden” message. The visual message itself becomes less important as the event is basically already known and announced to the viewer who visits the gallery space, however what is important in this conceptual installation is that the upfront announced “hidden” feature/message does right away influence and transform the viewers behaviour and thoughts.




Sex and Friends is running until February 17, 2012 at Pilar Corrias Gallery, London.
You can read more about Tobias Rehberger and his work in this, this and this article on the Warmenhoven & Venderbos blog.
Photos by: Tobias Rehberger | Pilar Corrias Gallery