The audiovisual remix of Gil Scott-Heron’s “New York Is Killing Me” directed by Chris Cunningham premiered last Sunday (26, September 2010) at the Moma (Museum of Modern Art).
Cult filmmaker, musician, photographer, and producer Chris Cunningham is known for his highly acclaimed music videos for artists including Aphex Twin, Björk, Portishead, and many others. Since 2003 his focus has moved to music. Recently, he has headlined festivals around the world with his new live show, and is presently working on his first audiovisual album.
The three channel version video from Gil Scott-Heron’s New York is Killing Me is also available for viewing on Chris Cunningham’s website.
The below video shows highlights from the ‘Stillness at the Speed of Light’ exhibition which was on show in May 2010 at The Vinyl Factory in Soho, London. The Exhibition showcased the extraordinary alchemy between light artist Chris Levine and pop/fashion icon Grace Jones. Chris Levine is the latest in a line of artists who worked with Grace Jones. He managed to make a step forward in the line of all the extraordinary iconic images of her which where created by other artists, like for example Andy Warhol and Keith Haring, by creating a stunning 3D portrait series using the lenticular printing technology.
Photos Chris Levine | Grace Jones | video: Delmar Mavignier
Hello World! or: How I Learned to Stop Listening and Love the Noise is an immersive, large-scale audio visual installation comprised of thousands of unique video diaries gathered from the Internet. The project is a meditation on the contemporary plight of democratic, participative media and the fundamental human desire to be heard.
On one hand, new media technologies like YouTube have enabled new speakers at an alarming rate. On the other hand, no new technologies have emerged that allow us to listen to all of these new public speakers. Each video consists of a single lone individual speaking candidly to a (potentially massive) imagined audience from a private space such as a bedroom, kitchen, or dorm room. The multi-channel sound composition glides between individuals and the group, allowing viewers to listen in on unique speakers or become immersed in the cacophony. Viewers are encouraged to dwell in the space.
Recently the Hello World audio visual installation was also used as backdrop for an interesting special on Swiss Television (Schweizer Fernsehen) called: special Kulturplatz Extra report. This TV special focused on the theme: “Living with the computer: blessing or curse?” The reports range from the hippie roots of personal computing in silicon valley, to robot therapy for the elderly.
Photos,video and source: Christopher Baker | Vimeo | Kulturplatz Extra
