Marcel Broodthaers | The Marcel Broodthaers cabinet

Posted on 20/05/2011 by W&V

MARCEL | The Marcel Broodthaers cabinet is a proposal to present the oeuvre of artist Marcel Broodthaers in the S.M.A.K. museum. The increasing significance of Broodthaers’ work as part of the collection gradually led to the idea of giving this oeuvre a permanent place in the museum. A place where the Broodthaers collection would not only be displayed, but also documented and set in a specific framework. Not as a monument or mausoleum in which the work is enclosed, but more like an intimate setting where encounters can take place and where Broodthaers’ work can be studied. To achieve this, in 2006 the museum held a competition in which three architects were asked to come up with a design for the project. The proposal ultimately selected was by architecten de vylder vinck taillieu. Their design devotes plenty of attention to Broodthaers’ work, but it combines it with the ease and practicality of a study centre. In terms of its form, the design clearly refers to the display cabinet, which Broodthaers used a great deal. This gallery is located on the boundary between the museum and the Floralia Hall behind it. This is also where the exhibition entitled MARCEL/Het Broodthaerskabinet will be held.
The exhibition in the Stedelijk Museum voor Actuele Kunst, Gent Belgium will run until the 5Th of June 2011.

Photos by: S.M.A.K. – Stedelijk Museum voor Actuele Kunst | Marcel Broodthaers |

Felice Varini | Point of view

Posted on 05/05/2011 by W&V

Felice Varini was born in 1952 in Locarno, Switzerland. and currently lives in Paris. He creates fascinating optical art.
His field of action is architectural and urban space and everything that constitutes such spaces. These spaces are and remain the original media for his painting. He works “on site”, each time in a different space and his work develops itself in relation to the spaces he encounters. The paintings are characterized by geometric shapes and by a single vantage point from which the viewer can see the complete painting, while various ‘broken’ fragmented shapes are seen from various other view points.

Felice Varini about his work:

“I generally roam through the space noting its architecture, materials, history and function. From these spatial data and in reference to the last piece I produced, I designate a specific vantage point for viewing from which my intervention takes shape.

The vantage point is carefully chosen: it is generally situated at my eye level and located preferably along an inevitable route, for instance an aperture between one room and another, a landing… I do not, however, make a rule out of this, for all spaces do not systematically possess an evident line. It is often an arbitrary choice. The vantage point will function as a reading point, that is to say, as a potential starting point to approaching painting and space.

The painted form achieves its coherence when the viewer stands at the vantage point.When he* moves out of it, the work meets with space generating infinite vantage points on the form. It is not therefore through this original vantage point that I see the work achieved; it takes place in the set of vantage points the viewer can have on it.

If I establish a particular relation to architectural features that influence the installation shape, my work still preserves its independence whatever architectural spaces I encounter. I start from an actual situation to construct my painting. Reality is never altered, erased or modified, it interests and seduces me in all its complexity. I work “here and now”.”

Photos by: Felice Varini | Video by: Christophe Loizillon | Felice Varini website

Alex Roman | The Third & The Seventh

Posted on 30/07/2010 by W&V

The Third & The Seventh is a fascinating short film by Alex Roman. In this movie he tries to illustrate architecture art across a photographic point of view. The main subjects in this film are already-built spaces. Sometimes they are portrayed in an abstract way and sometimes in surreal manner. We suggest that you switch the video to full screen view to fully enjoy this short film Gem.

Photos and Video by Alex Roman | Music by Alex Roman based on the original scores by Michael Laurence Edward Nyman and Charles-Camille Saint-Saëns

Football Meets Fashion and lifestyle

Posted on 17/06/2010 by W&V

Sepp Magazine is an exercise by FIFA in combining fashion and lifestyle with football. It Takes its name from outgoing FIFA President Sepp Blatter. The Magazine explores the issues surrounding football, fashion, life and the FIFA World Cup in South Africa. This is done in a surprisingly insightful way by some of the best photographers and art directors. Sepp Magazine is edited by Markus Ebner and fashion journalist Godfrey Deeny. It is art directed by the talented Mirko Borsche.

For the current installment of Sepp, which hit newsstands this week, Ebner marshaled several fashion luminaries. Ellen von Unwerth contributes photographs of Germany’s rising soccer stars. Karl Lagerfeld dreams—and draws—himself into the game in a series of idiosyncratic watercolors where he drew some of his favorite stars, like Ribery, Kaka and Wayne Rooney, Argentine icon Maradona is rendered by Anna Sui and Clinique collaborator Hiroshi Tanabe. Henrique Gendre portraits models from Brazil posing in the country’s playing colors, as well as architectural photographs of host nation South Africa’s new stadiums and some of the world’s greatest fashion designers created their very own football uniforms. It seems that among them there is also a mini dress football outfit for the national football team of The Netherlands (Oranje). These designer football outfits where shot by Rene Habermacher for this issue.

On paper, high fashion and football are unlikely companions but the team behind Sepp Magazine have turned this project into a fascinating and engaging ultra-glossy biennial.

Photos: Sepp Magazine and Nowness | Verlag Neunundsechzig | FIFA World Cup in South Africa

E.V. Day architectural clothing sculptures

Posted on 03/05/2010 by W&V

Bride fight is an already older but still very unique and interesting installation by American artist E.V. Day (1967, New York). She Used heavy-duty fishing line and hardware to reassembled clothing items which where untangled into small pieces.

Taking as her subject an eruption in the traditional social fabric the idea of two “glowing” brides locked in mortal combat E.V. Day touches something dark in the American social unconscious. Her work does link to reality television shows about brides-to-be, like Bridezilla, where tension gets to a boiling-point because of all the planning and frustration. But although E.V. Day’s piece may trigger such fetishistic responses it is a work primarily characterized by the humor and anxiety that accompanies a transformation of tradition. Fierce but nonetheless liberating, Bride Fight feels more like the jouissance of exploded boundaries than the pathology of confined ones.

The bride fight installation developed from a series of installations called Exploding Couture, begun in 1999, in which Day suspended women’s dresses in space. For example, in Bombshell (1999), exhibited at the 2000 Whitney Biennial, Day took a piece of iconic attire (Marilyn Monroe’s white halter dress) and arranged it to feel as if the forces of the implied figure are so powerful that the garment literally blows off, as if outgrowing its stereotype.

The visual result of the works are extremely light sculptures with architectural features.

Photos: E.V. Day | Lever House, New York

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Tag Archives: architectural

Marcel Broodthaers | The Marcel Broodthaers cabinet

Felice Varini | Point of view

Alex Roman | The Third & The Seventh

Football Meets Fashion and lifestyle

E.V. Day architectural clothing sculptures