Designer Fashion Collections | Designer Fashion Collections | vrouwenmode | womenswear | Official Blog
Category Archives: Vision
| Warmenhoven & Venderbos blog vision |
This category contains all kinds of articles about interesting and inspirational topics. This ranges from art, artist, fashion events, books, exhibitions, music, film and basicly anything which fascinates and inspires the designers of Warmenhoven & Venderbos.
| Warmenhoven & Venderbos blog vision |
Deze categorie bevat artikelen over: kunst, kunstenaars, mode, exposities, evenementen, boeken, muziek en film, welke de modeontwerpers van Warmenhoven & Venderbos fascineren en inspireren.
David Hume was a Scottish philosopher, historian, economist, and essayist, known especially for his philosophical empiricism and skepticism. He is regarded as one of the most important figures in the history of Western philosophy and the Scottish Enlightenment. Beginning with his A Treatise of Human Nature (1739), Hume strove to create a total naturalistic “science of man” that examined the psychological basis of human nature. In stark opposition to the rationalists who preceded him, most notably Descartes, he concluded that desire rather than reason governed human behaviour, saying: “Reason is, and ought only to be the slave of the passions.”
Colors of Shadow is the first conceptual photo series which artist Hiroshi Sugimoto photographed in color and it shows his continuous interrogation of photography’s intrinsic nature; of light entering into a darkened or “dimmed chamber”, however, the light source remains out of view. The work is minimalist in nature. The photographic field is emptied of any superfluous detail, allowing stillness for meditation. Colors of Shadow seems also to mirror the white cube, the gallery space, in its perpetual rhythm to lay bare its white walls to receive the work of art. Here the works reflect its surroundings; the detail is focused on what the viewer’s eye does not generally pay attention to. Brought into focus are the corners of the space, its ceiling and walls with different hues of whites due to the slightest alteration in lighting, and their cast shadows.
Subtle play of light and shadow as well as spatial composition are central in this work by artist Hiroshi Sugimoto. He explains it as following:
”I’ve learned many things from using my hands. While I’m still not sure about the nature of light—whether it’s waves or particles—I’ve learned something about shadows. Trying to devise a way of observing shadows, this project escalated into a major undertaking, requiring an entire hilltop penthouse in a Tokyo apartment. When surfaces receive light, the light effects vary according to the angle of exposure. Selecting three distinct angles—90°, 55°, and 35°—I had the walls surfaced using traditional Japanese shikkui (plaster finishing), which absorbs and reflects light most evenly. In the morning light, the shadows play freely over the surfaces, now appearing, now vanishing. On rainy days, they take on a deeper, more evocative cast. I’ve only just begun my observations, but already I’ve discovered a sublime variety in shadow hues.”
Photos from top to bottom: Colors of shadow c1020 Colors of shadow c1031 Colors of shadow c1028 Colors of shadow c1023 Colors of shadow c1019
Dutch Wife is an experimental animated short film by London based graphic and motion designer Jesse Kanda. In this video he experimented with filmed footage of plant remains which floated around in a canal and a combination of various 3D models. The result is a fascinating experiment about distortion, liquid, transformation and the virtual human body.
Video: directed, animated and sountracked by Jesse Kanda | Photos by Jesse Kanda | Jesse Kanda website
Body Pressure is an art piece by Bruce Nauman from 1974 which basically is a mix between conceptual text art and performance art. The work invites the spectator to become the performer. The physical form of the work is a simple poster which serves more as an igniter as it gives the performers a set of typed out instructions for merging their bodies with an architectural surface. Body Pressure is, aside from the physical experience, also a mental journey which challenges the performers to think about the physical aspects and limitations of their own bodies and travel beyond these limitations in their minds.
Below follows the text of the poster:
Body Pressure
Press as much of the front surface of your body (palms in or out, left or right cheek) against the wall as possible.
Press very hard and concentrate.
Form an image of yourself (suppose you had just stepped forward) on the opposite side of the wall pressing back against the wall very hard.
Press very hard and concentrate on the image pressing very hard.
(the image of pressing very hard) press your front surface and back surface toward each other and begin to ignore or block the thickness of the wall. (remove the wall)
Think how various parts of your body press against the wall; which parts touch and which do not.
Consider the parts of your back which press against the wall; press hard and feel how the front and back of your body press together.
Concentrate on the tension in the muscles, pain where bones meet, fleshy deformations that occur under pressure; consider body hair, perspiration, odors (smells).
This may become a very erotic exercise.
Bruce Nauman, Body Pressure, 1974, (c) 2002 Bruce Nauman /Artists Rights Society (ARS), New York
Work by Bruce Nauman | Photos by Bruce Nauman, top: Friedrich Christian Flick Collection, centre: Jacob Birken
Sam Samore creates fascinating large scale conceptual photographs. Appropriative practices, which are established by artists such as Cindy Sherman, are a key element in his works. His photos are an exploration of privacy and myth in contemporary society.
Britany Salsbury (Artforum) about his work: Samore’s photographs are characterized by open-ended and evocative narrative compositions that are reminiscent of film stills. Through the contrast between the straightforwardness of their artifice and the impossibility of explaining the situations they portray, Samore’s photographs reveal a fragmented and constructed subject that invites interrogation of gender, popular culture, and identity.
Britany Salsbury gives a clear analyse of Sam Samore’s work in the following quote: “The Dark Suspicion#1 (See top photo), for instance, shows a young woman whose vacant stare and decorated femininity (heavy makeup, etc.) make her resemble the subject of a fashion advertisement. The model is only visible, however, through a gap between two other figures, whose showy lipstick and starkly pale skin seem virtually identical to her own. Although it would be easiest to rationalize the two doppelgangers as mirror reflections of the female figure, such a reading is impossible, given their position in the photograph: between the woman and the viewer. This manipulation of space eschews predictable or concrete explanation and frustrates the viewer’s impulse to impose purpose or narrative on figures whose functions might have otherwise seemed clear.”
In the above video by Kiki Allgeier , Sam Samore explains some more about his works. Samore’s role within LM100 (Le Meridien) was to help identify and chronicle the narratives inherent in the guest experience, from his contributions to the stories included in Le Méridien’s 50 Words story collection to his role as an artist behind a series of keys in the Unlock Art collection.
Photos from top to bottom: The Dark Suspicion #1, 2011 Allegories of Beauty (Incomplete) #108, #44, #63, 1990s The Dark Suspicion #5, 2011 Allegories of Beauty (Incomplete) #47, #10, #50, #8,1990s
Photos by: Sam Samore | Video by: Kiki Allgeier | Source: Britany Salsbury |
